Christie’s 1 March: Kees van Dongen, Marc Chagall
Following the announcement of two masterpieces by Jean-Michel Basquiat and Pablo Picasso that will lead the upcoming Shanghai to London sale series on 1 March, Christie’s presents a broad selection of exciting works in the Shanghai auction leg, featuring sensational paintings by celebrated Western Modern Art figures including Kees van Dongen, Marc Chagall, and many more, to meet the soaring demand of Mainland Chinese collectors. A group of works by international fast-rising artists will also debut in the sale.
The Evening Sale will coincide with a series of events from 26 February to 1 March, including art forums, specialist walkthroughs, live-streamed activities, and more. SENSATIONAL CANVASES BY KEES VAN DONGEN AND MARC CHAGALL Included in the 20th/21st Century Art: Shanghai Evening Sale, a masterpiece by iconic Western Modern artist Kees van Dongen will make its grand appearance at auction in China. Van Dongen’s masterful artistry can be seen in his painting La femme au collier, created in 1908. A modern incarnation of the flâneur, Van Dongen combined his keen observational skills with a cutting-edge, painterly aesthetic, using an expressive approach to colour that aligned his painting with the revolutionary circle of artists known as Les Fauves (The “Wild Beasts”). KEES VAN DONGEN (1877-1968) La Femme Au Collier Oil on canvas 100.3 x 81 cm. Painted in 1908 Estimate: RMB 19,500,000 – 32,000,000 USD 2,925,000 – 4,800,000 Powerfully imbued with the artist’s trademark red hue, La femme au collier encapsulates the artist’s new direction through expressive colours, visceral brushwork, and a thoroughly modern approach to his subject. Known foremost for his portraits, van Dongen revels in depicting beautiful women, often adorned in contemporary fashion. The elegant visage of the artist’s muse in La femme au collier creates a mysterious, romantic vision of Parisian chic. Drawn to her poise, grace, and the magnetism of her gaze, the pioneering cosmetics entrepreneur and avid patron of the arts, Helena Rubinstein, purchased the painting and cherished its inclusion in her collection until it was sold as part of her estate in the late 1960s.
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