Justin Webb knows its makes sense


The Daily Mail also quotes Radio 4's Justin Webb saying:
I am genuinely more at home with silence than I am with even informative noise. So at home, although I work on Radio 4 and it pays all my bills, my wife turns it on and I turn it off.

He does right.  

Comments

Post a Comment

Popular posts from this blog

The Most Contentious Story

Image
Sadly, Honest Reporting has lowered its expectations enough to claim Christiane Amanpour’s ‘apology’ as a victory.  SUCCESS: Following our campaign for a public apology, @CNN ’s @amanpour says live on air: “I have written to Rabbi Leo Dee to apologize and make sure that he knows that we apologize for any further pain that may have caused him.” See the full story here: https://t.co/ppmGQL5927 pic.twitter.com/PxWeyB0id0 — HonestReporting (@HonestReporting) May 22, 2023 “I misspoke and said that they were killed in a shootout instead of “a shooting” Sorry, but apologising for accidentally uttering the word “Shoot out ” rather than “Shoot ing ” isn’t fooling anyone. It doesn’t ring true at all. Would any standard English speaking person, let alone a seasoned TV presenter, really say  “killed in a shooting” ?   They’d say “were shot”, surely. Or “shot and killed.”     In any case, the girls’ mother died of her injuries so wasn’t literally killed...
Read more

Crossroads: Drawing the Dutch Landscape

Image
May 21, 2022–August 14, 2022 University Research Gallery, University Teaching Gallery, Harvard Art Museums A Scandinavian Landscape. -  Between the late 16th century and the early 18th century, artists working in the Netherlands—then known as the Dutch Republic—produced an extraordinary number of landscape drawings. Many of these works depicted sites that were either recognizable as or evocative of the country’s cities, villages, and countryside. This profusion of local imagery coincided with the young country’s quest for global dominion, as well as with war and dramatic ecological change at home. As notions of Dutch “territory” shifted, artists engaged with the world by drawing outside, from direct observation—a practice repeatedly encouraged in the art theory of the period. Once back in the studio, they could produce finished drawings and works in other media, adapting observed motifs or fusing them into altered or imagined views. In so doing, they construct...
Read more

Raphael and His Circle

Image
Raphael Eight Apostles, c. 1514 red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.) support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in.) National Gallery of Art, Washington, Woodner Collection Raphael (1483–1520) was the first and greatest figure in the modern classical tradition of Western art. In celebration of the 500th anniversary of his death, the National Gallery of Art will present 26 prints and drawings from its own collection of works by Raphael’s contemporaries as well as four drawings by the Renaissance master himself. Raphael and His Circle will convey the complexity, range, and immediate influence of his style as it became the standard for aesthetic excellence in Western art. The exhibition will be on view from February 16 through June 14, 2020. Raphael 500 Several major exhibitions have been organized to mark the 500th anniversary of Raphael’s death. The Gallery wil...
Read more