AUGUSTA SAVAGE: RENAISSANCE WOMAN
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https://www.nyhistory.org/exhibitions/augusta-savage-renaissance-woman
Organized by guest curator Jeffreen M. Hayes, Ph.D., the Augusta Savage: Renaissance Woman exhibition features nearly 80 works of art, including sculptures, paintings, and works on paper, and is the first to reassess Harlem Renaissance artist Augusta Savage’s contributions to art and cultural history in light of 21st-century attention to the concept of the artist-activist. The fully illustrated companion catalogue presents the most up-to-date scholarly research, re-examines Savage’s place in the history of American sculpture and positions her as a leading figure who broke down the barriers she and her students encountered while seeking to participate fully in the art world.
A gifted sculptor, Savage (1892 - 1962) was born in Green Cove Springs and later became a significant teacher, leader, and catalyst for change. Overcoming poverty, racism, and sexual discrimination, Savage became one of this country’s most influential artists of the 20th century, playing an instrumental role in the development of some of the most celebrated African American artists, including: Charles Alston, William Artis, Romare Bearden, Robert Blackburn, Selma Burke, Ernest Crichlow, Gwendolyn Knight, Jacob Lawrence, Norman Lewis, and Morgan and Marvin Smith, whose works are also included in the exhibition. A prodigious and highly acclaimed artist in her own right, Augusta Savage created works that elevated images of black culture into mainstream America. A central figure in the Harlem Renaissance, she worked with other leaders, writers, musicians, and artists to showcase the contributions of African American culture. As a community organizer and teacher, Savage created a bridge between the first generation of Harlem Renaissance artists and subsequent generations of artists.
Through this exhibition, the Museum will highlight the artistic, social, and historic impact of Augusta Savage who, despite how she transformed the artistic landscape, is deserving of greater national appreciation.
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Today, Savage is best known for Lift Every Voice and Sing (formerly known as The Harp), her commissioned sculpture for the 1939 World’s Fair, and is recognized in Black community as an educator and an important community leader. However, Savage’s artistic skill was widely acclaimed nationally and internationally during her lifetime, and a further examination of her artistic legacy is long overdue.
This exhibition will introduce Savage as a pioneering artist and community organizer who helped shape artistic movements that changed the way artists represent the Black figure, using art as a form of activism. This exhibition has received support from the National Endowment for the Arts and the Sotheby’s Prize and was on view between October 12, 2018 to April 7, 2019.
This sculpture, “Gamin,” was created by Augusta Savage (1892–1962) early in her career. It was based on her nephew, Ellis Ford. The French word gamin means “street urchin,” and the figure’s wrinkled shirt and cap emphasize his impoverished appearance. The child’s expression suggests a life of hardship and wisdom beyond his years.
Savage’s career was fostered by the climate of the Harlem Renaissance in New York City. She was a sculptor, influential teacher, and community art program director. In 1934, she became the first African American member of the National Association of Women Painters and Sculptors. Dedicated to expanding educational and professional opportunities for African American artists, she founded the Savage Studio of Arts and Crafts in Harlem, which was later developed into the Works Progress Administration’s Harlem Community Art Center, where she was its first director.
Savage believed that teaching others was far more important than creating art herself and explained her motivation in an interview: “If I can inspire one of these youngsters to develop the talent I know they possess, then my monument will be in their work. No one could ask for more than that.”
“Gamin” is in the collection of the Smithsonian American Art Museum. Read more about Savage and this sculpture on the museum’s website and at Oh Freedom! Teaching Art and the Civil Rights Movement, an education resource and collaboration between the museum and the Smithsonian’s National Museum of African American History and Culture. View a photo of Savage in the collection of the Smithsonian’s American Archives of Art.
This is a timely, visual, exploration of the fascinating life and lasting legacy of sculptor Augusta Savage (1892-1962), who overcame poverty, racism, and sexual discrimination to become one of America's most influential twentieth-century artists. Her story is one of community-building, activism, and art education.
Born just outside Jacksonville, Florida, Savage left the South to pursue new opportunities and opened a studio in Harlem, New York City, offering free art classes. She co-founded the Harlem Artists’ Guild in 1935 and became the first director of the federally-supported Harlem Community Art Center. Through her leadership there, Savage played an instrumental role in the development of many artists: William Artis, Gwendolyn Knight, Gwendolyn Bennett, Norman Lewis, Jacob Lawrence, Robert Blackburn, Romare Bearden, among many others.
This ground-breaking volume features fifty works by Savage, and those she mentored or influenced, as well as correspondence and period photographs.
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