Rumours and conspiracy theories are rife on social media that Marianna Spring is the BBC's Selfie Queen. Such claims, however, are completely unfounded:
The National Academy of Design has announced the launch of the virtual Eastman Johnson Catalogue Raisonné on July 29, in recognition of the anniversary of the artist’s birthday. In this first phase, the catalogue raisonné is focused on American artist Eastman Johnson’s paintings. Subsequent phases will include the artist’s drawings and prints. Eastman Johnson (1824-1906), The Hatch Family, ca. 1870–71. Oil on canvas, 48 x 73 3/8 in. The Metropolitan Museum of Art. Gift of Frederic H. Hatch, 1926 (26.97). Founded and directed by Dr. Patricia Hills, project managed by Abigael MacGibeny, and stewarded by the National Academy of Design, the Eastman Johnson Catalogue Raisonné (EJCR) is based on Dr. Hills’s decades-long research on Johnson’s artwork, which dates to the 1972 monographic exhibition of his work at the Whitney Museum of American Art. Celebrating the artist’s substantial contributions to the development of American genre and portrait painting throughout t...
The Times has published some research , with YouGov, into public perceptions of the BBC and found that "nearly half of Britons think that the BBC no longer represents their values", with a third of the public saying that in the past year "the values of the BBC has become less like theirs". The paper cites the BBC's coverage of Brexit and the pandemic, but I'm guessing the 'woke' stuff - their BLM coverage, the Proms debacle, etc - may have played a big part too. The Times says his "chimes" with unpublished research from the BBC itself "which found that residents of well-off and diverse neighbourhoods held the broadcaster in higher esteem than people from poorer and less diverse communities". As Jon Holbrook observes , "It’s the elite v. the people - again", and this is probably borne out by the finding that 58% of those who voted for Brexit were unhappy with the BBC's stance. Us northerners aren't hap...
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